Dennis Spielman

The real and imaginative adventures of Dennis Spielman

Hashtag Cult Problems - art by Janine De Guzman at Design Pickle

Hashtag Cult Problems

A cult’s ritual goes wrong when their sacrifice doesn’t die. 


When the sack came off Gia’s head, she found herself strapped upright on a spinning wheel in a dimly lit circus tent. Her curiosity had gotten the best of her. After seeing the performers’ mind-blowing act, she had to know how they did it for her shows. While she was sneaking around after the show, someone snuck up behind her with a sack over her head. Now, she hung before a cult-like gathering.

Using her crowd scanning skill, Gia counted 30 people in bright clown nose red robes with white plastic masks of a cartoonishly broad smile. The outfit vaguely reminded Gia of a production, but what that was was a hazy memory.

“We are gathered together here under the first full moon of the new decade for our sacrifice,” the cult leader announced. Gai recognized the voice belonged to the circus ringleader. 

The crowd cheered. The only thing Gia could spot on the cult leader that made him stand out from the others was a golden inverted pyramid necklace.

“Sacrifice, huh?” Gia said with excited curiosity. “If I may make a suggestion, the lighting is awful. How are people going to see me die? Do you have anything else other than the string lights, like some massive LED stage lights? Surely you got some of those. Although I do like the lights on this wheel, you got me strapped to.”

“We can see well enough,” the cult leader grumbled.

“If you say so,” Gia snarked. “By the way, what’s your cult or organization or whatever’s name? Or is this some tradition with your circus?”

“We are the Cult of Mischief,” the leader proclaimed. 

Gia remembered the show she was trying to pin down earlier. She giggled like she was part of an inside joke.

The leader picked up the jewel-encrusted ceremonial dagger from a pedestal and pointed it at Gia. “What’s so funny?”

“Oh, you’ll find out. Carry on.”

The leader faced the crowd. “Let the ceremony commence!”

With the crowd cheering, the leader stabbed Gia in the chest. Silence fell. 

“Oh, what cruel world,” Gia cried out. “There was so much I wanted to do. There’s so much in this world I wanted to see. But now, my time has come. Farewell.”

Gia’s body went limp. The cultists chanted in unison, “Our sacrifice is yours. Take this soul and bless us.”

Per cult order, the youngest member pulled out the knife from the sacrifice.

Gia raised her head, unharmed, and smiled. The cult gasped.

“Okay, I thought that was a rather stirring death performance,” Gia said.

“How are you not dead?” the young cultist asked with a quiver in her voice. 

“You picked the wrong kind of person for a sacrifice. Hashtag cult problems, am I right?”

“We cannot stand for this,” the leader said. “Our god will not be pleased with us.”

“You mean, Loki?” Gia said. “I’m sure he’s getting a good chuckle right now.”

The leader got in Gia’s face. “How do you know of our god?”

“Oh, we go way back,” Gia explained and then thought about the chronological order of time. “Or forward technically. He casted me as the Cult of Mischief’s first leader centuries ago to fool some traveling act for him to study their reactions. I’m surprised the cult is still around, to be honest, but knowing him and his partner, I bet they’re watching, studying.”

There was a hushed discussion amongst the members when two people revealed themselves from a stack of cargo containers. One was a slender man in a pink suit with bold, black outlines and a young woman in a red satin dress holding a transparent tablet device. Both had black hair and flowed in sync with each other.

“It’s them!” one of the members shouted. “From the painting of the first ritual.”

All the cult members dropped to their knees.

“Loki! Raven!” Gia greeted with a bright, cheerful smile. “how are you two doing?”

“I must admit, I find it humorous they tried to sacrifice you,” Loki dryly said while adjusting his cufflinks as they approached Gia.

Raven worked on freeing Gia. “It’s been fascinating studying the cult’s evolution throughout the centuries.”

“But I am growing bored of it,” Loki confessed.

“Shall we end?” Raven asked him.

“Yes, let’s go out on top.” Loki turned to address the cultists, who were still bowing down. “Since you tried to kill my sibling, I will now forsake you and no longer give you my blessings – ever. Begone!”

The cultists scattered away as Raven undid the last strap around Gia.

“Thanks,” Gia said as she hopped down. “What’s next for two?”

Loki and Raven exchanged glances and spoke in unison. “More mischief.”


Hashtag Cult Problems - art by Janine De Guzman at Design Pickle

This week’s short story was inspired by the following writing prompt: “You have been kidnapped by a cult preparing to sacrifice you to their god. Problems? You’re immortal, the god they worship is a close friend of yours and the entire cult was the result of a prank you forgot you pulled centuries ago.”

I got inspired by this prompt to write a story with my end-timer characters as I thought this would be a great situation for them.

Thank you to Janine De Guzman at Design Pickle for bringing this scene to life.

Thank you for reading! If you liked this story, be sure to check out my others with Gia, Loki, and Raven.

Yes! Women in Science!

Yes! Women in Science!” explores the challenges women face in STEM careers and inspires change for better. The award-winning documentary short visits a diverse cast of women and professions about what they love about their job and advice for those pursuing a career in the sciences.

The documentary made its premiere at The WIFI Film Festival on April 11, 2019, where it was Award Nominated for Achievement in Social Progress Through Film. It screened at Twister Alley Film Festival (Award Winner of Best Oklahoma Documentary Short and Award Nominated for Best Director of a Documentary Short), Doc Sunback Film Festival, and the Tri-Cities International Film Festival. With the festival tour over, the documentary was publicly released on YouTube today, April 16, 2020.

The documentary filming process for Yes! Women Science! was a collaborative venture. Filming took place in 2017 and 2018. Guests were given questions in advance, which they were allowed to change, remove, or add to them. Guests also collaborated on filming locations, camera angles, b-roll suggestions, etc. Before the finished video was submitted to festivals, guested got to approve the video and make suggestions, including reshooting their interview.

Thank you to my supporters on Patreon who have helped support this documentary and many other projects. Join me at https://www.patreon.com/TSSNStudios

Illuminations with Joe Glasco

One half of the duo Doty Glasco talks about their collaborative installation, Valley of the Sun. I was commissioned by Oklahoma Contemporary to film and edit this interview with Joe. Be sure to read their accompanying blog post for more information.

Moral Compass

After returning home from a business trip, Chuck is greeted by a foul smell that leads him to a dead body that looks like him and killed by a compass he had written about in his book.


A pungent smell smacked Chuck Barkley across his face the moment he stepped inside his one-bedroom apartment. He dropped his suitcase, covering his face to stop the odor’s torture. He lived alone with no pets and was at the statewide library conference for a few days. Something was wrong, but his systematically organized place was clean, just like how he had left it.  

Did some animal get inside and die? Chuck thought, trying not to speak and get the smell on his tongue too. Maybe a person? I doubt it.

Chuck walked over to the balcony door and opened it up to start getting fresh air inside. He regretted not buying that candle he liked during his work trip, but the worry for his books quickly replaced his regret. He rushed over to his prized collection of books. The author personally autographed their writing, and some notes addressed him. All of the few dozen books were accountable. Limiting himself to only autographed books helped retain his minimalist home. The only non-autographed books he had were the ones he wrote and an uncatalogued book he brought home from the library for safekeeping.

Keeping an eye out for the source of the smell, Chuck made his way to his bedroom. His voice of reason kicked in and assumed him the stench was most likely a sewage backup in his bathroom.

When Chuck opened the bedroom door, he discovered the source: a dead body. He looked away, gathering his composure, which took all of his willpower not to throw up right there. The detectives in the books he read always made seeing a dead body seem so casual. He forced himself to get a closer look. He had to know if it was someone he knew.

Spread out on the bed like a starfish was a man wearing the same brown pants and Game of Thrones shirt Chuck had on. The dead body also had the same face as Chuck. Chuck was an only child and wasn’t aware of any possible doppelgängers, either. The one part that didn’t mirror Chuck was the mystical looking compass covered in blood sticking out from the heart.

Chuck slapped his own hand as he tried to touch the compass. He didn’t own one and wondered where it came from and why a compass? He had read numerous books with unusual murder weapons, but a compass? In the book Chuck was writing, there was a magical compass that would point to the nearest evil. His brain switched from disgusted to inquisitive. The compass looked like the one he had written.

As Chuck walked over to the side of the room for a different view of the crime scene, the compass arrow followed him. He thought he imagined the needle moving with him, and so Chuck went back to where he was, and the needle followed. He went to the other side, and so did the needle.

“This is quite the mystery,” Chuck proclaimed to himself.

“It’s actually rather obvious,” a pretentious voice corrected. “You’re evil.”

Standing in the doorway was a tall, grizzly handsome man in a tan overcoat that Chuck recognized as his detective character.

“You’re real,” Chuck stated. “How are you real?”

“You didn’t give us much to play with, Chuck,” the character scolded. “You have such a limited collection of books. We want to go back to the library.”

The body on the bed sat up. “Take us back to the library, Chuck.”

A clown holding a red balloon stepped out from the bathroom. “We belong in the library, Chuck.”

All three of them chanted in unison. “Return the book to the library. Return the book to the library. Return—”

“You promise you won’t hurt anyone or cause any destruction?” Chuck interrupted. 

“We are bound by rules not to intervene with life,” the dead body answered.

Chuck sighed. He went to his bookshelf and grabbed the uncatalogued book titled, “Unbound Words.” He placed the book in his satchel that he strapped on.

“I have to go to the library to handle some paperwork anyway, so I will take this book back if you behave.”

The characters smiled. Millions of words replaced their appearance before fading away to dust.


This week’s story was inspired by two writing prompts. One involved a character coming home from a long business trip to find their own dead body. Other elements came from Okie Show Show’s writing prompt that challenged people to include a compass, the line of dialog, “I doubt it,” and a character, Chuck Barkley, librarian.

Profile: Daniel Mercer

Photo of Daniel Mercer taken by Dennis Spielman

Written by me for the Oklahoma Venture Forum.


What started with “poor decisions and lots of circumstances,” COOP Ale Works has grown into a company with a $20 million expansion plan at the former 45th Infantry Armory. Despite feeling like an outsider in the brewing community from not being a brewer himself, Daniel Mercer, CEO of Coop Ale Works, sees positives in his business-focused skill set.

“From day one, back in 2006 when Mark and J.D. and I met, one of my kind of tidbits and inputs was that we had the opportunity, in the research phase, to set a foundation for how we wanted to move forward and how diligent we wanted to be and how we wanted to run this thing,” Mercer said. “We were starting a brewery from scratch in a market that didn’t have a production brewery outside of brewpubs, which aren’t packaging breweries.”

One of the first challenges the COOP team faced was Oklahoma’s prohibitive alcohol laws, including 3.2 beer and the lack of availability of beer in grocery and convince stores. They collected data and feedback about what people in Oklahoma were drinking back in 2006. They knew Oklahomans had different tastes than what people were drinking on the coast or what people were drinking internationally. They did beer tastings in the back room of Cheever’s.

“We were interested in whether there was a receptive audience to craft beer that didn’t exist at the time,” Mercer explained.

They worked through the summer of 2006, brewing together. They then spent the next two years putting together plans, which included going to dozens of breweries around the United States. They visited with engineers, brewers, and financial people to investigate their methods of success, their histories and then built a strategy to launch COOP in the summer of 2008. They raised the initial capital, found their building, and then spent about six months building out “this little 5,000 square foot metal shack” over at 51st and Western, next to the 51st Street Speakeasy bar. They started brewing beer commercially on January 9th in 2009 and selling on March 3rd, 2009.

Now, the Armory project is going to consume Mercer’s time over the next couple of years. He believes it will create a massive economic impact in the city and around the State Capitol Complex. However, with COOP’s proven track record, raising the capital has been a challenge.

“Once you get into the core of it, we’re taking this brewery model, and we’re expanding it and adding other new businesses to our model that put us right back in the same boat that we were in 10, 12 years ago,” Mercer explained. “We’re getting into the hotel business or we’re getting into this culinary business that involves a taproom in a restaurant and a speakeasy and all these event support spaces that have culinary features and a pool club, bar. Banks have been interested but not receptive to the total deal structure and scale. It’s a large deal, and when you take a package to a bank that says you’re going to spend $36 million over 20 months, including the money we’ve already spent over the past couple of years in development, it becomes a scenario where virtually every bank is casting doubt, and then your solution, there, is to try to find alternative methods to finance your deal.”

Where others may have given up with the challenges Mercer has faced over the past two years – including modernizing a building built in 1938 with no functional plumbing, electrical or heat and air – Mercer looks for solutions from a wide assortment of resources.

“Luckily, I’ve got some historical background and tax credit work in historic preservation and, at least, exposure to deals like that and even participation and structuring some of those deals long ago,” Mercer said. “Capital can come from anywhere and it does come from everywhere. For us, in this particular deal, we’re not raising more equity, so that component of the capital stack just doesn’t exist for us. We have cash on the books that we’ve been using for development expenses over the past couple of years, and we have a number of other sources of capital in this deal.”

Mercer is excited about the opportunity in Oklahoma, for both investors to bring money in, and also for entrepreneurs to start to drive a focus around their industries.

“We spend a lot of time talking about diversifying industry in Oklahoma, and a lot of that talk is around, either, high-impact or high-level concept industries,” Mercer said. “Whether it’s biomedical research or autoimmune disease treatment or mechanical devices… things centered around the oil and gas industry that may be new technologies and hardware technologies. But there are also plenty of other industries that just aren’t near as sexy, frankly. And I think, in Oklahoma in particular, we’ve done a great job of focusing on our resources that we have. Particularly around the OU Health Science Center, around the oil and gas base that exists here and all the new technologies that have sprung out of that industry over the past, say, 20 years.”

Daniel Mercer will be speaking at the Oklahoma Venture Forum Power Lunch on Wednesday, April 8th, 2020. He’s been attending OVF since 2001 and encourages others to become a member because of the “direct exposure to a knowledge base and resources that aren’t highly-publicized in Oklahoma… and frankly anywhere.”

Page 65 of 180

Powered by WordPress & Theme by Anders Norén