The real and imaginative adventures of Dennis Spielman

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The Future of Oklahoma’s Venture Ecosystem

A profile article on Michael Basch, Nathaniel Harding, and Matt Wilson written for the Oklahoma Venture Forum on the subject of The Future of Oklahoma’s Venture Ecosystem.


Atento Capital, Cortado Ventures, and Victorum Capital Club each have their criteria and types of companies for investments. Atento’s focus is on generating excellent risk-adjusted returns and making a lasting economic impact through stimulating entrepreneurial activity in the community. Cortado invests in capital-efficient businesses that leverage technology to scale in the Fintech, Biotech, Aerospace, Ag Tech, Energy Tech, Manufacturing, and Logistics sectors. The Victorum Capital Club is a membership network of accredited investors focused on entrepreneurship, investment, and business development to generate a return on investment and promote community and economic development. 

Basch’s advice is cash is a relative commodity for companies looking for investors.  

“I think, doing the work to understand your customer and the problem you’re solving before you raise any money where you would completely understand the problem and the willingness to pay,” said Michael Basch, Managing Partner at Atento Capital. “I think it’s doing the work on customer discovery ahead of time and not raising money for the sake of raising money but raising money. Cause you have to raise money. Not every business needs to raise money.”  

Over at Cortado Ventures, Harding said they invest in business-to-business technology that “you can put a moat around.” 

“That’s defendable where that company can either have an advantage because they have patents or either intellectual property that’s difficult to, to replicate, or their strategy involves, a key partnership with a large company that can help them scale very quickly,” said Nathaniel Harding, Managing Partner at Cortado Ventures. “There’s other ways of having a moat, besides having patents or trade secrets, but we look for defendable, unique, novel technology.” 

Victorum Capital Club works the same way as any other venture capital firm, but while they don’t currently fund, they have a network of investors from across the country they pool together. 

“Each of those investors gets to decide if they want to invest and if not, and if they do how much they want to invest, then when we have everybody’s commitments, we just group everybody together into a single entity and make an investment,” said Matt Wilson, Managing Partner at Victorum Capital Club. “Historically, venture capital has only been available to the wealthy elite pension funds, insurance companies, things like that. And what our business model does is it brings access to high-quality investment opportunities to everybody that is an accredited investor.” 

Wilson said a venture capital firm will generically tell potential companies that they look for are “team, team, team, market size, and traction.” 

“It’s a joke, but it’s a very serious point that the people are arguably the most important thing,” said Wilson. “One of the unique things about it that is particularly interesting to us and where we’ve found ourselves gravitating to is a CEO that has a real reason, like a real differentiated reason to be successful. So somebody that grew up in the industry or was the market already, like they have some unique reason that differentiates themselves from just any other guy off the street to be successful in their industry, focused on their customers, with their product, things like that.”  

People who are trying to make a quick buck, who don’t have a good sense of why they’re building their business, and don’t want to collaborate are some red flags in a CEO Basch said. Basch also watches for how they take feedback, how they respond to adversity, and how they problem-solve.  

“Don’t start a company or raise money because you want to, but do it because you have to,” said Basch. 

Harding said one of the benefits of doing business in Oklahoma is fewer gatekeepers here. 

“If you’re a first-time founder, you may not have a track record,” said Harding. “You may not have like the network or the keys to the city, but you can get meetings with the people that are going to help you, and they’re going to be willing to help you. That’s really special and powerful. I think if that is embraced and that entrepreneurs and founders know that, then they should be not afraid to reach out to people that may be able to give them great advice or they’ve had experienced that sector. If we all leverage that as a community, we can scale and grow the venture capital and entrepreneurial community much faster.”  

Michael Basch, Nathaniel Harding, and Matt Wilson will be part of a special panel discussion at the Oklahoma Venture Forum Power Lunch on Wednesday, January 12, 2022. The event will be open to guests both in-person and virtually via ZOOM.  

“You don’t have to be any particular thing to be involved in this ecosystem system and support founders and support businesses,” said Wilson. “There’s a lot of different ways to do that. And so I think everybody should find ways to be active and build the future of our state, build the future businesses that are kind, and going to drive us for the next 50 years.” 

Graham Colton 20 Year Homecoming Concert

The day before Thanksgiving, I was hired by Graham Colton to live-stream and film his big 20 Year Homecoming Concert. He’s released the edited video to share with everyone as a showcase piece.

I had a blast filming and editing the video together. I hope you enjoy this concert too.

Real Spells for a Fake Witch - art by Janine De Guzman at Design Pickle

Real Spells for a Fake Witch

A mysterious man offers a woman dressed as a witch a device that allows her to cast real spells on Halloween. 


“Hey, Witch.”

Jill spun around with the box of wines wine she held, about to punch some guy for calling her a nasty name, but lowered her fist when the gentleman in a white suit and pink ascents continued. “I love your costume.”

“Oh, thanks,” Jill replied, her face flushed red in embarrassment from the misunderstanding. She was outside the liquor store, about to get her car after picking up some last-minute alcohol for her and her husband’s Halloween party tonight. She was dressed as a witch – decked out with a pointy purple hat, black corset, ripped leggings, and red heels for the occasion.

“It’s missing an accessory,” the man commented as he looked her over.

Jill clenched her tongue, bracing for whatever line he would give.

The man shook a finger at the sky when he realized his answer. “Real spells.”

Jill tilted her head back in unexpected confusion. “Real spells?”

“Or, more specifically, the ability to cast real spells,” he elaborated in a manner of an eccentric billionaire. 

The man in the white suit reached behind himself and impossibly pulled forward a green metal chest the size of a watermelon. Before Jill could respond, the man opened the case, revealing a glowing green fog surrounding a crystal ball. 

“Trade me one of your bottles of wine, and this device is yours,” the stranger offered.

Jill leaned forward and stared into the box. “How does it work?”

“Simply hold the crystal and say, ‘I cast,’ and what you want casted. Although, this device will only work until midnight, and you’ll have to live with whatever you created.”

Jill thought the deal over. Even if the crystal ball weren’t magical, the item would make for an excellent display prop or an accessory for her Halloween outfit. The exchange may be more in favor of the stranger, especially if the ball was mass-produced. Besides, she could always go back inside the liquor store and get another bottle of wine. She was grateful she was able to buy booze on a Sunday now.

Jill held out the case of wines. “I accept your offer.”

Without studying the selection, the man pulled out one of the wines. He reviewed the label for a moment – not long enough to read everything – before holding the chest forward for Jill. Jill picked up the crystal ball, losing herself as stars and planets swirled around inside. The display consumed her focus until the liquor store door dinged from someone entering did she snap out of her trance. Jill looked around for the stranger, but he was nowhere. She shrugged.

“I wonder,” Jill said as she held out the crystal. “I cast five boxes of red wine.”

The crystal glowed red before unleashing a spark of purple lighting at the pavement. Jill closed her eyes and jumped back but held tight onto the crystal. When she felt the danger pass, she saw five cases of premium boxed wine sitting before her. 

“Holy shit!” Jill cussed. “It fucking worked!”

Jill glanced around to see if anyone else saw what happened, but no one was around. She loaded up the wine in her black Jeep. After buckling in, Jill grabbed her iPhone from the phone mount and texted her husband. She told him to meet her in the garage as soon as she pulled inside. 

Upon arriving home, her husband followed her instructions. The garage door closed as Jill jumped out of her car.

“You won’t believe what I got,” Jill said, her voice racing as she pulled out the crystal ball from her pocket.

Her husband, Mike, took the crystal. “Neat. Where did you get this?”

“I traded a bottle of wine for it to this weird guy in a white suit,” Jill explained, still in a hurry. “It’s magically.”

Mike flipped up his eye patch for his pirate costume as he studied the crystal ball against the garage light. “I’d say.”

Jill yanked the crystal ball from him. “No, I mean, this is really magically. Watch. I cast a vanilla cake the shape and size of a human skull on a silver plate.”

The crystal glowed red before and then unleashed a spark of purple lighting at the ground, creating a vanilla skull cake. Jill smiled, proud of herself for holding steady during the spell casting this time. When she noticed Mike hadn’t said anything, she saw his face was drooped down and whiter. She picked up the cake.

“Don’t you think this is cool?” Jill asked, her voice soft.

“I’m worried,” he responded softly. “Remember that old Simpson’s Halloween special where the things they wished for had negative side effects?”

“Oh,” Jill uttered but then perked up. “But what’s wrong with this cake then?”

“I bet the cake has that fondant icing I hate,” Mike said.

Jill nabbed a tiny piece of icing from the back of the skull for a taste test. “Damn. It is fondant. But I bet other people will enjoy it.”

Mike shrugged. “I guess small spells have small consequences, so how about we keep it that way?”

Jill huffed. “I suppose you have a point. Besides, the guy said this would stop working at midnight anyway.”

“Of course he did. Typically spooky wares guy. Was he dressed in a black robe?”

“No, I said he wore a white suit with pink accents.”

“Oh, that’s right. You did say that.”

“Yeah, and he also had this strange, pink tie with white swirls,” Jill added. “The pattern made me think of Norse mythology or something like that. He wasn’t an old man either. He looked about our age.”

“Well, we should get this stuff inside,” Mike said. “We do have guests.”

“Right, you go back inside, and I’ll bring in the wine. I might have cast a spell for more wine earlier.”

Following the recommendations of her husband, Jill kept the spells small throughout the night. Whenever she wanted something, she went to the garage to create the item, which made for the perfect cover. She casted spells for things like more food, new wine glasses after being broken by a guest, full-size candy bars for the trick-or-treaters, additional Halloween decor, and other small items that wouldn’t raise suspicions.

The party lasted until almost midnight. As Jill and Mike cleaned the living room with the house to themselves, a thud hit their window. Jill thought nothing of the sound until she heard another one. She peeked out behind the curtain. A group of teenagers was throwing eggs and toilet paper at their house.

Jill pulled out the crystal from her pocket. “Oh, I’ll teach you a lesson.”

Jill stormed outside, prompting her husband to stop vacuuming and follow her. The teens laughed and started to run away. Jill’s eyebrows lowered and pulled closer together as she aimed the crystal ball.

“I cast a giant black widow to scare them!”

The crystal glowed and sparked to life a 10-foot tall black widow spider. The pranksters screamed in terror while Jill laughed in delight. The spider chased after them, knocking over her mailbox and some streetlights in the chase. The spider spewed webs, capturing the teenagers.

“Okay, this is going to have some major consequences,” her husband said.

“You’re right, you’re right,” Jill agreed with a sigh. “I cast spider be-gone.”

The crystal did not respond. Jill shook the device and tried again, but with no result.

“It’s 12:02,” Mike said while looking at his watch. “Didn’t you say everything would go away at midnight?”

“Yeah, I thought it would be like Cinderella, and everything would turn to normal, but I guess that’s not what he meant. He did say I would have to live with whatever I created.”

The black widow returned with the three teenagers, dropping them off like a cat offering a mouse. From above, three firetrucks landed like flying saucers, surrounding the spider and their home. Troops of humans in bright white and yellow uniforms poured out from the firetrucks. One with a rifle fired at the spider, stunning the creature and causing her to collapse. Another group rushed over to the teenagers and proceeded to free them.

Jill and Mike stood close together as a short woman with a yellow overcoat approached them. The couple read the name Captain Mists on her silver name tag. The leader glanced over the couple, spotting the crystal ball in Jill’s hand.

“May I see that,” Captain Mists formally requested, pointing at the crystal ball. Jill handed over the spell casting device without saying a word. The woman grunted in frustration. “Not another one.”

Captain Mists whistled, getting the attention of her team. “We got another spell caster situation. Standard procedure. Clear out anything that’s  not theirs and wipe their memories.”


Real Spells for a Fake Witch - art by Janine De Guzman at Design Pickle

This short story was triggered by my random logic process. As I was leaving a convenience/gas store, I saw a woman dressed as a witch leaving, which got me thinking of how witch rhymes with another word and what if someone offered the power to cast real spells. I’ve written a story with just Raven, so I wrote this one to feature Loki by himself.

Happy Adventures! 

Open World at Oklahoma Contemporary

Open World: Video Games & Contemporary Art at Oklahoma Contemporary presents the work of artists who use video games as a catalyst for making art that addresses timely issues, including gun violence, migration and gender equality. The artworks in Open World reference a broad cross section of games, ranging from early text adventure and arcade games to more recent releases such as World of Warcraft and Grand Theft Auto.

In this episode, Artistic Director Jeremiah Matthew Davis shares an overview of the exhibition. Then he highlights works by Tabor Robak, Joan Pamboukes, and Feng Mengbo. The video ends with a tour of the learning gallery for Open World.

Open World’s immersive installation features three interactive artworks. The quiet, introspective game The Night Journey (2007-18), created by Bill Viola in conjunction with the USC Game Innovation Lab, mimics the process of achieving spiritual enlightenment, while Feng Mengbo’s energetic side-scrolling platformer Long March: Restart (2008) loosely recounts a significant event in Chinese history through 8-bit graphics. Retro gamers will enjoy Cory Arcangel’s I Shot Andy Warhol (2002), a modification of the 1984 Nintendo Entertainment System game Hogan’s Alley, which includes appearances by the Pop artist along with Colonel Sanders, Flavor Flav and the pope.

Artists included in the exhibition are: Ueli Alder (Hemberg, Switzerland), Cory Arcangel (New York), Alan Butler (Dublin), JooYoung Choi (Houston), Joseph DeLappe (Dundee, Scotland), Krista Hoefle (South Bend, IN), Invader (Paris), Butt Johnson (New York), Angelo Ray Martínez (South Bend, IN), Michael Menchaca (San Antonio), Feng Mengbo (Beijing), Joan Pamboukes (New York), Oliver Payne (Los Angeles), Tim Portlock (St. Louis), Tabor Robak (New York), Jacolby Satterwhite (New York), Skawennati (Montreal), Suzanne Treister (London), Nathan Vincent (Los Angeles), Bill Viola (Long Beach, CA), Angela Washko (Pittsburgh) and Mathew Zefeldt (Minneapolis).

Open World is organized by the Akron Art Museum and supported by the John S. and James L. Knight Foundation, Ohio Arts Council, The Tom and Marilyn Merryweather Fund, and National Endowment for the Arts. Oklahoma Contemporary’s exhibition is presented by Velocigo. It is made possible through the generous support of the Carl & Marilynn Thoma Foundation, Delaware Resource Group, Anonymous, CNS Productions, Annie Bohanon, Christian Kanady, George Records, and Glenna and Richard Tanenbaum.

Matt Payne: The Community Effort to Grow Oklahoma’s Film Industry

A profile on Matt Payne written for the Oklahoma Venture Forum on the subject of The Community Effort to Grow Oklahoma’s Film Industry.


The domino of events for Prairie Surf Media’s formation started in 2000 when Gray Frederickson moved back to Oklahoma and started the Oklahoma Film Institute. Rachel Cannon and Matt Payne were among the first of those students. The two pursued film careers outside of Oklahoma, but they eventually found themselves back in the state.

“After a little bit of chat, and discussing perhaps the idea of making a film, or writing something together, [Rachel Cannon and I] decided that maybe it would be more exciting to begin to work to add to the existing infrastructure in Oklahoma so that we could have an even more robust and thriving film community here,” said Matt Payne, co-founder and co-CEO of Prairie Surf Media. “And we’ve been doing it ever since.”

On January 1, 2021, Prairie Surf Media took over the venue, formerly known as Cox Convention Center, through a tenant agreement with the City of Oklahoma City. The venue, now known as Prairie Surf Studios, boasts five flexible, state-of-the-art soundstages with all the amenities needed to create new worlds. Payne explained soundstages are soundproof rooms where productions can build their sets, avoid outdoor elements, and shoot in a more cost-efficient way. While the former Convention is ideal for soundstages, the facility has received upgrades to better suit productions over the past several months. 

“We pulled 10,000 pounds worth of buzzy lights and old speakers out of the ceiling, replaced it with LED lights,” said Payne. “We treated the walls with soundproofing, and we built vestibules on the far end of the building so that we create a barrier, an extra door barrier between the street and the sound-stage.”

In addition to building soundstages, Prairie Surf Media worked to build up the state film incentive and the local workforce. With partnerships with OCU, Oklahoma City Community College and several career techs, including Metro Tech and Francis Tuttle, Prairie Surf Media is training people. Students learn how to work and function on an actual film set. 

“Since then, about 30 of those individuals have gone on to work on different productions in Oklahoma,” said Payne. “It’s been a really successful program, and we take a lot of pride in the fact that we’re not only bringing an industry here, but we’re that industry is creating jobs, and giving paths to kids like Rachel and I, that want to get in the entertainment industry.”

Matt Payne will be speaking at the Oklahoma Venture Forum Power Lunch on Wednesday, December 8, 2021. The event will be open to guests both in-person and virtually via ZOOM. Payne said they’ve been able to pursue this business by “standing on the shoulders of giants” from Oklahoma filmmakers such as Gray Frederickson, Lance McDaniel, and many others, including government officials.

“We’ve only been able to do this because of our partnerships with, particularly, Oklahoma City, and getting into this facility, and the state for putting an incentive in place, and state leadership, you know, Senator Roger Thompson, Chuck Hall, Representatives Fetgatter and Hill,” said Payne. “There were so many leaders that have played a role in getting us here. [Prairie Surf Media] is a very, very small start-up in a very big building, but, really, the truth is that this is a city, state, and community project that we’re all sort of proud of. And we think very much of Oklahoma as a whole, as our partner in this project.”

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